RURU Gallery x Japan Foundation x Edwin’s Gallery proudly present:
FIELD TRIP PROJECT ASIA
“DEPARTURE EDITION”
Curated by Daisuke Takeya & Leonhard Bartolomeus
Opening reception Saturday, 1 April 2017, 16.00 – 19.00;
Exhibition daily 1 – 9 April 2016, 10.00 – 18.00
Field Trip Project Asia is an interactive socially engaging travelling art exhibition responding to recent natural disasters. Social media and the fast world of digital communication are making the world a smaller place where what happens thousands of miles away affect us all in different ways. Field Trip Project Asia aims to create awareness and provoke dialogues about various aspects of natural disasters and to connect people creating communities through compassion and art.
Read MoreA swirling tangle of timeline...
Earlier this year there was a moment which made my senses tingle as I saw the final print of this artwork emerge on its gorgeous paper, thanks to the printing experts at NPE Art Residency. It is my first digital fine art print in a long time, (an exclusive edition of 15, available at Intersections Gallery). I want to share with you the journey of this artwork... I had been working on sketches and maps of connections, creating vast drawings of webbed, intersecting lines. The artwork pairs with a poem called 'Museum of London' by Marc Nair. With my traditional pen on paper technique I drew my ideas from the lines on our palm which some people believe map our destiny; the interconnections on a family tree or a social network which map our now and our beginnings; as well as timelines which span back into history to connect us to multiple versions of the past.
Read More"The elements that stir us to make art are flickering moments: a brief flash of recognition, a hint of scent memory, a nexus of discovery. Above all, an intersection."
A travelling project which spanned Yangon (Myanmar) London city wall (UK), and Kampong Glam (Singapore). Funded by National Arts council (Singapore) and hosted at Intersections Gallery.
Intesection is a new body of work. Visual art created by Nicola Anthony, poetry created by Marc Nair.
Read MoreThis series entitled Artwork Focus is written by Shireen, giving her explorations of the artworks in the Intersection exhibition. Shireen is a writer, art assistant and visual arts organiser, who has gained unique insight through her visits to Nicola’s art studio, observing the creation process of the works. This article focuses particularly on the artwork After Oud.
After Oud is a collection of glass jars in different shapes and sizes that chooses Singapore’s Bussorah Street in Kampong Glam as muse. Within these jars, strings of words in blue and gold taken from Marc Nair’s poem of the same name (“After Oud”) dangle together. Like Marc, Nicola is inspired by Bussorah Street and its famous aromatic scent store that has served the Kampong Glam community for years.
Read MoreAn exhibition by Nicola Anthony, United Kingdom, and Marc Nair, Singapore. Part Two: 22 Feb – 5th March 2017. INTERSECTIONS Gallery, 34 Kandahar Street, Singapore 198892. Free Admission. RSVP on facebook event
In this second part of Intersection exhibition a new way of seeing is presented, and the curation presents a key to unlock hidden stories, meanings and messages within each artwork. It is not often you get insight into a large body of work like this from two perspectives, but for this exhibition curator Marie-Pierre Mol of Intersections gallery has decided to give the viewer a deeper understanding and a whole new way of looking.
Read MoreGotong Royong is a twisting, turning, tumbling, kinetic artwork, in which letters and words spill like loose sand. I am extremely proud to present this interactive piece in the exhibition, Intersection, a collaboration between myself and poet Marc Nair. Below I explain the art piece with a video and some insight into the creative process.
Read MoreThe idea of the daily prayer that is comparable to a voluntary routine practiced across different cultures and religions and transcends geographical boundaries, is emphasised through the work’s duality in display – in light and in darkness. Like the journey of the sun from dawn to dusk and dusk to dawn, traditions and practices exist in time and are rarely temporal.
The journeys across Singapore and Yangon that have inspired the creation of this work almost mimics the migration of the birds and their rotations inside the birdcage. This work is a reminder for us all: just as we are guided home “like flocks of birds”, our culture and traditions keep us grounded and remind us of our humble beginnings that have helped us shape our identity.
Read MoreAn exhibition by Nicola Anthony, United Kingdom, and Marc Nair, Singapore. 12 Jan 2017 – 11 Feb 2017. INTERSECTIONS Gallery, 34 Kandahar Street, Singapore 198892. Free Admission.
Intersection is an exhibition about an encounter between poetry and visual art through the work of poet Marc Nair and visual artist Nicola Anthony. The work maps an architecture of memory at the junction of three diverse cities: London, Singapore and Yangon.
Read MoreThank you to Singapore Art Week for listing Intersection exhibition in your lineup of events! This January, Nicola will present works in a collaborative exhibition with Singaporean poet Marc Nair at the Intersections Gallery that tackles geographies, names, stories and histories in three cities – Singapore, London and Yangon.
Read MoreIn this interview for Trebuchet Magazine, contemporary British artist Nicola Anthony talks about her work at the Krisis Exhibition 50 scars : 50 skies.
Read MoreThis October, Nicola Anthony has been invited into NPE Print's Art Residency Programme 2016. Located in the heart of the traditional industrial/print sector of Kallang, Singapore, Nicola aims to utilise the residency and unique studio space/facilities for experimentations with new paper-based and incense-burnt drawing techniques, as well as light projections and large-scale creations. And ultimately, to create a body of works for a collaborative project with local poet Marc Nair, called 'Intersection'.
Read MoreDebbie Cheung interviews Nicola Anthony
To start off, how did the decision to use ping pong balls in this SEA Games project develop?
Rather than be overly literal in making sport the subject of the artwork, I decided to be a bit abstract and challenge myself to use sports equipment as sculptural material, and think about the deeper message of teams and connections within sports as a theme. I knew it would carry a meaningful message because when you get so many voices together, there is a sense of a human team, and something quite magical happens.
Read MorePictured here is another artwork commission from a new series of works - If you would like one then here's how we can create it together:
I make these pieces by asking you for three words, then I use these to create a poetic construction of 'found words' cut from books and correlating saga seeds (symbolising love and connection) in glass alchemic tubes.
Get in touch if you would like to commission one, or click here to learn more about the commissioning
process.
This new series of seed & text artworks follows on from my previous Saga Seed Series, where I collected and hand numbered 9000 seeds from all over Singapore.
Read MoreI was thrilled to host an art & learning workshop at a Social Change in Action event this month. The whole SOCH event saw 1500 kids in attendance.
As well as a learning message for the children, I also learned a lot from the kids - a reminder that yes, art is for everyone, it can be multigenerational, it can help to change stereotypes, it has no language barrier, it works amazingly to bring you together with people you only just met, and, that art will always be a part of life: it's been around since the very beginning and will continue, to be.
Sign up to find out more about kids or adults art workshops
Read More"The world breaks everyone, and afterward, some are strong at the broken places." Ernest Hemingway
Last month I snipped up the Earth. Using a vintage print of the globe as seen from space, I trimmed 100s of small circles, which were then re-assembled as a hovering layer using sharp, delicate, tailors pins - and finally mounted inside a mirror-lined backpack.
Read MoreClarissa Sih and Goh Chiew Tong interview Edible Art Movement for the Nanyang Chronicle, at our ‘Cirque du Scent‘: an exhibition sponsored by NTU, Jan-March 2014. Thank you to the kind journalists and film crew at Singapore’s Nanyang Chronicle for capturing the exhibition and talking with me about the concept.
Read MoreNestled away in my studio I have accidentally become covered in gold leaf, and have had to try very hard not to unwittingly inhale the ground minerals that I used in my latest works, but it was all worth it: The new artworks below have been born.
Read MoreIn the video, you will see what the Art Reborn film crew discovered when they made a visit earlier this month to the Displacements exhibition, plunging into the creative depths of 13 Wilkie Terrace to find out how the artists have used, reused, and re-appropriated a house which has spent 77 years as a family home.
Read MorePass It On began with the idea of creating little points of knowledge and connection, which form a narrative from one place to the next, and beyond. Referencing the evolution, shift and migration of many things, the installation seeks to create a space in which to consider the positive and negative effects of the process of change, the fluid nature of culture, knowledge, memory and history. The resulting sculpture involves 8900 hand-numbered saga seeds – tiny red particles which the audience are invited to take and pass on.
Read More
